"Is criticism really a creative art? Why should it not be? It works with materials and puts them into a form that is at once new and delightful. What more can one say of poetry?"
Kurt Gottschalk is most interested in what Anthony Braxton brilliantly termed the "post Ayler/Cage continuum." His writings about music have appeared in All About Jazz, Signal to Noise, The Wire, Guitar Player, the NYC Jazz Record, the Brooklyn Rail and Time Out-New York, among other publications, and his syndicated column "New York is Now" runs in ImproJazz (France), Jazz.pt (Portugal) and Jazz.ru (Russia). He almost never writes about himself in the third person.
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