John Cage's Music

Not talking about John Cage's music is like not playing John Cage's music. Writing about John Cage's music is like listening to John Cage's music. Not playing John Cage's music is like playing John Cage's music. Thinking about John Cage's music is like not thinking about John Cage's music. Thinking about John Cage's music is like listening to John Cage's music. Talking about John Cage's music is like not writing about John Cage's music. Not writing about John Cage's music is like not thinking about John Cage's music. Thinking about John Cage's music is like playing John Cage's music. Talking about John Cage's music is like not playing John Cage's music. Talking about John Cage's music is like not talking about John Cage's music. Not talking about John Cage's music is like not listening to John Cage's music. Not writing about John Cage's music is like writing about John Cage's music. Thinking about John Cage's music is like not talking about John Cage's music. Not writing about John Cage's music is like listening to John Cage's music. Listening to John Cage's music is like not listening to John Cage's music. Thinking about John Cage's music is like talking about John Cage's music. Not playing John Cage's music is like not listening to John Cage's music. Not writing about John Cage's music is like not talking about John Cage's music. Playing John Cage's music is like not writing about John Cage's music. Talking about John Cage's music is like not listening to John Cage's music. Talking about John Cage's music is like not talking about John Cage's music. Writing about John Cage's music is like not talking about John Cage's music. Not writing about John Cage's music is like not listening to John Cage's music. Not playing John Cage's music is like not thinking about John Cage's music. Thinking about John Cage's music is like not writing about John Cage's music. Not talking about John Cage's music is like listening to John Cage's music. Writing about John Cage's music is like talking about John Cage's music. Playing John Cage's music is like talking about John Cage's music. Thinking about John Cage's music is like not talking about John Cage's music. Not listening to John Cage's music is like not thinking about John Cage's music. Writing about John Cage's music is like not playing John Cage's music. Not writing about John Cage's music is like not talking about John Cage's music. Not talking about John Cage's music is like not thinking about John Cage's music. Listening to John Cage's music is like not thinking about John Cage's music. Listening to John Cage's music is like not listening to John Cage's music. Listening to John Cage's music is like talking about John Cage's music. Thinking about John Cage's music is like not playing John Cage's music. Listening to John Cage's music is like playing John Cage's music. Thinking about John Cage's music is like writing about John Cage's music. Not playing John Cage's music is like not writing about John Cage's music. Talking about John Cage's music is like not thinking about John Cage's music. Playing John Cage's music is like writing about John Cage's music. Playing John Cage's music is like not listening to John Cage's music. Writing about John Cage's music is like not listening to John Cage's music. Writing about John Cage's music is like not thinking about John Cage's music. Playing John Cage's music is like not thinking about John Cage's music. Playing John Cage's music is like talking about John Cage's music.

More Waltzes Later, More Cage Now

The waltz project will continue. Things are in the works. And there was a nice article in the NY Times about it thus far.


I'll update this at some point with how the project will continue. In the meantime, I'm up to more, namely:

Music of John Cage

Thursday, June 5, 2008
9PM $10
Like the Spice Gallery
www.likethespice.com/
224 Roebling Street, Williamsburg, Brooklyn, NY 11211
between S 2nd and S 3rd streets

* Variations I / Indeterminancy
Performed by Twiceband
(Kurt Gottschalk, Barry Chabala, Kerry Farias, Kristen Persinos, Russell Scholl)

* Radio Music
* Landscape Under Construction
for 1 to 42 CD Players (by John McDonough)
(ensembles led by John McDonough)

(I'll be playing on all three pieces)